I looked and looked at her, and I knew, as clearly as I know that I will die, that I loved her more than anything I had ever seen or imagined on earth. She was only the dead-leaf echo of the nymphet from long ago - but I loved her, this Lolita, pale and polluted and big with another man’s child. She could fade and wither - I didn’t care. I would still go mad with tenderness at the mere sight of her face.
I’m drowning in you
and I love the salt water
filling up my lungs.
and I love the salt water
filling up my lungs.
But everyone disappears, no matter who loves them.
I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet’s, the writer’s duty is to write about these things…. The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
She was a thin, a thin burning flame, colorless yet fresh. Her smile came first slowly, shy and bold, as if all the life of that little body had gathered for a moment around her mouth and the rest of her was a wisp that the least wind would blow away. She was a changeling whose lips were the only point of contact with reality.
I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books.
The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book’s true epiphany. You know you’ve completely descended into madness when the matter of shampoo has ascended into philosophical heights.
Lilac Boudoirs
